2 weeks ago
7
CARBY ROSE BASINA, GMA Integrated News
Published March 1, 2025 6:20pm
Ballet Philippines’ season finale, “Ang Panaginip,” features 18 princesses, each symbolizing a region in the country.
The enchanting ballet will showcase their journey beyond the constraints of royal life as they stumble upon a mysterious portal that transports them to an enchanted realm, where they get to pursue their dreams of becoming a violinist, ballet teacher, doctor, or astrologer.
The show fuses cultural heritage with the power of self-discovery, presenting a story that speaks to the modern Filipina and her limitless potential.
Ballet Philippines President Kathleen Liechtenstein told GMA News Online that the team wanted to create an empowering show for Filipinas, but not through the “usual fairytale.”
“We aimed to present a not-so-conventional fairytale (this Filipina princess does not need a Prince Charming to save her) showcasing the reasons to celebrate the multi-hyphenate modern Filipina—and doing so while highlighting the richness of Philippine culture through vibrant costumes, representing each region of the Philippines,” she said.
As the story took shape, the team behind the show reimagined the princesses as symbols of the 18 regions of the Philippines.
The princesses are Ballet Philippines’ tribute to every woman who refuses to be confined by tradition and instead forges her own path, proving that nothing is impossible.
Each of the girls has their own strengths and characteristics, as well as their unique aspirations.
“Despite their differences, they have a common dream to live beyond the confines of their palace walls, and pursue their goals and dreams while remaining authentic to themselves and honoring their truth, ultimately in order to make meaningful contributions and transform lives for the better.”
Renowned designer Jor-el Espina, a longtime advocate of local craft, worked closely with Ballet Philippines to ensure that the costumes honored traditional textiles and techniques.
Much of the fabrics used were sourced from his personal 20-year-old collection, enriched with intricate beadwork and regional patterns.
“Through Jor-el’s enduring love for creating Filipino and flair for modern Filipiniana, and BP’s Artistic Director Mikhail Martynyuk’s neo-classical choreography—it was a perfect collaboration with Ballet Philippines,” Kathleen said.
More than a ballet, “Ang Panaginip” is an invitation for audiences, especially those from the provinces, to see themselves in the characters and embrace the rich cultural tapestry of the Philippines.
“We would love for them to see how we are a nation of talent, grace, and intricate stories woven together by both our individual aspirations and collective dreams,” Kathleen said.
The last day to catch “Ang Panaginip” is on March 2 at The Theatre at Solaire.
Tickets are available through Ballet Philippines’ website or Ticket World Philippines. —JCB, GMA Integrated News
